Small Bits of Excitement

The three of us are sitting at my parents’ kitchen counter on a Tuesday evening. The weather is hot and sticky but the air-conditioner is not running. My mom is poking at 1/4 lb of tabbouleh on the table with a fork. My dad is tooth picking cut-up honeydew. This might be what they are having for dinner. You can’t be sure.

"Do you think I like it when your mother hounds me for answers?"
"Excuse me! I don’t hound you, Paul.”
"Excuse me, Debby, but you do.”
"I take offense to that!"

While my mom takes her offense, my dad turns his attention back to me.

"Are you getting along, Syl?"
"Yeah, we’re getting along, we’re just annoying each other a bit."
"Do you think your mother doesn’t annoy me?"

My mom shouts my dad’s name again. He laughs this time. She says it’s not funny.

These two are what I have to go by and, unfortunately, they are nuts. Smart, good-looking nuts but nuts. They are also in love. My mom writes that in e-mails to her friends. I’ve seen the e-mails. It’s like they know exactly how to raise the bar on Healthy and Loving Marriages. Even if my mom is constantly taking offense to my dad, secretly, this is how they flirt. I would say there is a proverbial ponytail in the house that will never be cut for fear of it never getting pulled again.

"I just worry that this is all there is," I say. "I mean, is it? We wake up, go to work, come home, exercise, shower, eat, watch television, sleep and so on? Like, this is what we’ll be doing?" My face looks disgusted.

"Normalcy is a good thing," my dad says. "You want your life to rest pleasantly in normalcy. But it’s up to the two of you to create those small bits of excitement as well. That’s why you travel. That’s why you try new restaurants. That’s why you have senses of humor. But it is always a good thing to come back to the normalcy of the relationship."

I look at my dom who is looking at me like a proud parent with no words. Ugh. It is depressing. Growing up in front of people. Even that is too normal for me. I try to slow it down by not balancing my checkbook daily but the only person that that bothers is me. 

My mom is obsessed with alarming the house and double-locking doors and seat belts. My dad listens to Blood, Sweat and Tears, experiments with facial hair and wears socks with sandals. I think that is where their small bits of excitement come in to play.

Pivotal Point

He had me making good decisions and in front of people.  He had me saying no, thank you to things that were bad for my health and he had me saying yes, please to things like DVR and hugs.  He was talking about all the things he needed to get done tomorrow but I was thinking about all the things I hated about his face.  It’s so mean the way I can just write that.  He had me at a very pivotal point in my life.

I didn’t like his folders and his pens.  I didn’t like hearing AM radio every time he went into the bathroom.  I didn’t like his cooking.  I didn’t like his clean-up.  I didn’t like his push-ups in the middle of the apartment. 

What I listened to was our silence once he was done talking. 

"I’m gonna go to bed," I said.  

"I’m gonna take a shower," he replied.  Great, I thought.  You go do that.

Frost and 401 Main

I once lived at 401 Main Street in the Pioneer Valley of Western Massachusetts. It was a house built in 1896, once home to American poet Robert Frost who had taught English classes at Amherst College in the 20s and 30s. I was a University of Massachusetts student studying English at the time so perhaps I was under somewhat of a literary spell but I swear the walls of this house were swallowing in real live yellow wallpaper. Even on the most gorgeous and crisp of New England days - days where you could hear the splashing of a birdbath across the street - the house still managed to retain its stench of grief. The radiators hissed like sick women when I walked in from the cold. There was a pessimistic ferocity that filled open spaces as tiny as keyholes and it all felt very far from staged. In fact, it felt downright natural. Clearly, Frost had lost a lot in this house and I, his modern day tenant, wondered what. 

The house was comprised of seven private bedrooms, one kitchen, one bathroom, one front stairway, one back stairway, one porch. We were strangers to one another with the town being our sole commonality. From the looks of it, we were very different folks and for the particularly private, it did stay this way. It was communal living far from its finest but the rent was a number you could brag about and the bus route stopped right outside. A few hundred yards behind the house was the Amherst Railroad Station; it only took a month to get used to the rattling, the fear of us all collapsing to the dirt in a heap, having to make conversation once outside.

Brian was tall with a nervous posture. He was noticeably awkward, a bit off-kilter, and probably what you would call doofy. His intellectual abilities were believably above average - he was always reading, began inevitably short conversations by telling you what he was reading - but when predisposed to social, communicative, and coordinated circumstance, he could never maneuver his way into a comfortable and breathe-easy place. His eyes could never catch mine but I knew he liked me because he would slide Penguin classics under my door without so much as a knock. One time I opened my door as he was walking into the bathroom and he frighteningly hurried in and slammed the door. "I just wanted to thank you for Madame Bovary," I said.

Charlie was round like a ball with a red and raw face. He looked like someone who secretly sat scratching and scratching in the dryness of his room. He hung decorations on his door during holidays and offered to drop off individual rent checks on the first of each month. Some of us liked that and some of us didn't but the offer always stood. He cut a deal with our landlord to pay $100 less on rent by offering housekeeping services. He vacuumed the hallway's carpet, shoveled snow off the pathway leading up to the house in the winter, disinfected the kitchen and bathroom when needed. He brought plants into the common areas and kept them alive.  

Royce was always in his bathrobe. He was a jittery fellow, excited by his pet birds, and would talk of mundane things as if they could rid of being mundane but, unfortunately, the mundane stayed where it was. I was always kind, nodding along, but his sentences hung and died every time. But there was a hop to Royce's step and I liked that. He was buoyant by nature, light like his birds' feathers. Once he knocked on our doors to ask permission to throw a dinner party in the kitchen. He clapped his hands in prayer position when he asked, then showed all ten fingers when assuring us that there would be no mess. I wondered who his friends were as I'd never seen or heard Royce with anybody in the house. I walked into the kitchen around the time I thought the party might be breaking up and saw a melted ice bucket on the table sitting like a guest between the gin and tonic water. Royce was wearing a tie and staring at a candle dripping its wax. He looked like what you would look like if no one came to your dinner party.  I didn't ask him how his night went but I did taste the chicken scallopini.  It was delicious.

Amy was my age and fun like tie-dye. It was a very good thing that we found each other in this house. She found the parties with the bonfires and bands, collected vintage Strawberry Shortcake dolls, tried on her new clothes for me, and always had to tell me something. "I have to tell you something, come to my room," she'd whisper fast. She was tall and blond with a pretty face, light eyes, had a real knack for that hippie style. She loved being outdoors; she loved being indoors. She bopped and snapped to music, squealed at the ridiculousness of ridiculous situations, slept with the wrong boys and snarled at the right ones. When it rained and we'd lie on each other's beds talking about all the things you talk about when you talk about love, I drew post-it notes in my head to keep her forever. She talked a lot about moving out West and then she did. That's when Alicia moved in.

Alicia was easy like scrambled eggs. She and I bonded over simple pleasures:  coffee in paper cups, reading near waterfalls, blowing smoke, a lyric. She was creative and liked artsy things like string and fabric and ornate cake decoration. There was some gray in her hair; an obvious old soul. Some days we would take the back roads, driving past tobacco barns and potato fields to get to the Montague Bookmill, a used bookstore housed in an 1842 gristmill, set on the banks of the Sawmill River.  We peered out paned windows and sat across from one another eating brie, apricot jam and marinated apple sandwiches while we read good sentences out loud.  It wasn't quite Summer yet but it sure felt like it with Alicia. I drew more post-it notes in my head.

Zane was old, too old to be living in this house, and he hated all of us.  He would leave his room to smoke cigarettes on the porch and I knew he was unhappy.  We shared a wall and he would bang on them when he heard me having conversations with people. The only time he spoke more than a grunt to me was the day I moved out.  I was carrying heavy boxes but he stopped me in the hallway anyway.  "You're leaving," he didn't ask, more like stated.  "I am, I am," I said.  "No more noise from me, don't you worry," I joked. He didn't laugh, I didn't expect him to. "Where are you going?" he asked, surprising me.  "Back to Brooklyn," I said.  "Brooklyn, huh?  That's where you're from?  I love Brooklyn," he said. He looked ready to converse and I wanted to shout "Now?!" but I was carrying these boxes and I had to go, it was getting late. "Take care, Zane," I said.  "Yeah, yeah" was his reply.

The Buffalo Colony

Before the birds stirred our Labrador from sleep and before the sun even stood a chance at drying up the dew and certainly before our parents could ask if we had brushed teeth that day, we were up and out, slamming our screen doors, kicking up kickstands, and riding with our butts in the air for no more than seven seconds to each other’s cracked and peeling front porches.  Max and I knew to knock softly on doors, but still hadn’t learned to refrain from turning knobs.  No one got mad though.  It was summertime in the Catskills and there wasn’t much to be angry about.

In Zack’s bungalow, we would cut up thick slabs of cheddar and watch it melt all over English muffins in the toaster oven.  We ate them right away, the hot cheese burning our tongues, breathing out the word “hot” with our mouths wide open, our baby teeth orange with goo.  We played Slap Jack at the kitchen table until our hands burned like our tongues and then we said out loud “Now whaddya wanna do?”

Our bungalows had personalities that sat around a semicircular drive that we called the horseshoe.  It was lined with double rows of trees; twin grassy fields sat still in its middle, but we knew which one was better for what.  One field tended to flood faster and so it was in this field that we followed Ethan, our friend with a net, who was always looking to catch grass frogs after a hard rain.  Ethan reminded us not to run and to be quiet.  We listened to him because we really wanted to find a frog.  The other field was more flat and had fewer upraised roots which made pop fly baseballs a lot easier to run after.  One field got more sun.  One field had a stretch of moss that felt nice for cartwheels. 

Daniel was a little older and he woke up later than us.  He would jump off his porch, wearing basketball shorts and a do-rag, his headphones lopsided, his mouth spitting Ol’ Dirty Bastard lyrics faster than I could make out.  I knew he liked it raw, that’s about it.  He was kind of gorgeous in that disrespectful way boys can be and every morning I looked forward to it.  He was also tall and would purposefully tower over me, jokingly calling himself “the Latin lover,” saying it with an embellished but real accent that made Zack, Max, and Ethan laugh while I stumbled backwards, choking a little bit on my innocence. 

There was an old casino building outside of the horseshoe that we would go to when we got tired of being outside.  It was a good place to go when it got dark and the temperature dropped and we got too loud for other families who were trying to settle in for the night.  It felt haunted when you were alone and familiar when you were with someone else.  It smelled old like dust.  Our parents would drop off old books and board games they thought we could use but mainly we just sat around a rotting picnic table telling “Yo Mama” jokes, saying curse words, and snacking on something good from someone’s house.  Sometimes we would ride our bikes inside, trying to make good skid marks on the wood.  There was also a way to get up onto the ceiling’s rafters so that we could swing and jump off, point and laugh, get splinters. 

It was like we owned the place.  We kind of did. 

Passive-Aggressive Emails

When she tapped Send on the last cryptic email she would ever write to the two of them, she refrained from rereading.  The writing was ugly and its manner uglier.  She wouldn’t talk about this with anyone.  There was no real reason to stew in its juice.  Instead she thought about crying.  In the bathroom, head against the stall.  Then she thought about something work-related.  Then back to crying.  She needed a door to slam but it was four o’clock in the middle of the week and she was at work.  The doors there didn’t slam, they only slid.  She looked across her desk, her eyes stopping on the stapler.  She grabbed it, holding it like a heavy-tension hand-grip, stapling nothing, the quick repetition feeling nice, kind of like eating something you don’t have to look at - say popcorn.  The staples ran out.  It was her intention.  She walked to the closet with the office supplies and got a new box.  Back at her desk, she loaded the stapler and set it down.  She looked at it for a long time and then looked away.  Their reply popped up all black and bold.  Her stomach went hollow, her eyes cast downward like a kid not so ready for their punishment.  She felt the regret get all up near her venom. Click.

The Work We Do (Or The Work He Does)

our world is an overgrown garden of work and verbs.    

take.  explain.  choose.  clean.  find.  swat.  put.  pay.  plan.  dump.  fix.

except the work and the verbs strike him at night like a hammer to the head.

he is licking his lips for them soon after his belly rumbles; he is filled with nails.

as he dreams, his fingers twitch, so i give him a pencil like a bottle.

when the tape measure slithers, then snaps, he is up like that.  

he is up in the morning slurping sawdust and swallowing inches, brushing up on simple math, and shampooing with screws.  how he finds time to catch up with the day’s ruler i will never know.

come lunch time, he is clamping down on wood before picking up strippers.

he drives.  me crazy.  i can level with him though. 

i call for the 6” torpedo.

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Nicer Men

My wife is friends with the man who limps around the neighborhood on crutches.  His hair is peppered and stringy and he has those “I’ll cut you and make you bleed blood” eyes.  I’m not fond of him but he has been this man for years and years.  We see him on the same blocks - across from the park; in front of the bank; by the discount store.  At dawn, when we jog in turtlenecks, he is there.  At 4am, when we are drunk and breathing in bread smells, he is there.  His crutches are small for his body; he is also dirty.  And unlike that other guy at the train station who sits in his wheelchair with his prosthetic leg on his lap, asking for my money, and smoking the ends of used cigarettes while nicer men acknowledge his haircut, this man just limps. 

"That man is Richard,” she tells me.  “The walking is good therapy for his legs.”  

I don’t think this to be true but my wife likes to make simple sense of things.  It is this way because of that.  

"What’s wrong with his legs?  He’s had those crutches for years."

My wife tells me that I’m missing the point.  “What difference does it make?  Walking is good therapy, period.  You should walk more.”

I think my wife has missed the point entirely.  “I think if you need crutches, you should stay off your legs.”


She says something sarcastic like “Thanks, doc” and then goes to stand on our stoop with her mug of coffee like she’s the only one home.  

The next day, before entering the train station, I try to stand casually by the man with the leg.

"Morning," I say.  He nods.  Then remembers to shake his paper cup.

"Sorry, I don’t have…" my voice trails off into shared air.  "What happened to your leg?" is what I think to say next.

"Diabetes," he says.  "Lost it five years go.  I have this fake leg here, but it ain’t easy to walk.  Good walk would do me some good."

I say something like “Sure, I bet” but it is not before someone else approaches him, with offerings of a cigarette, and he is now thanking them, fiddling with a matchbook.  I skip stairs two at a time to catch the train.

A couple of days later, my wife and I pass Richard on the street. 

"Hi there," my wife says.

"Oh, hello," Richard replies. 

I let his eyes rape me for a second, and then I pipe in.  “What would you say to a wheelchair?”

"A wheelchair?  They’re too much," he says.

"I know someone who could use your crutches, and he happens to have a wheelchair he’s sick to death of."

My wife stares in horror at me.  “Who do you know?” she spits.

"The guy who sits at the train station," I say.  "We’re friends."  I throw it in there. 

Richard looks interested.

"I bet he’s there now.  We’ll walk with you."

My wife and I walk; Richard limps, and it is unclear, probably to everyone, why I am doing this.  But I am doing this. 

Red Flag

I like to spend my time thinking up little ways to change my life. I do this for the benefit of my future self; I do this for kicks.  You speak to me, seriously, but still I sit here coming up with plans. Tomorrow will be different. I will be someone who speaks slowly, and wears barrettes. I will finish books in the bathroom, refrain from straightening bedsheets, use elbow grease when I’ve gone and burnt a pan. 

"You’re a changed woman," you’ll say. "And you did it just like that."

"Just like that," I’ll respond.

In January, when we use two fingers to push the dimmer down on the kitchen lights, I’ll read you my resolutions, written in pencil. 

"Leaving room for amendments?" is what you say.

"Leaving no room for mistakes" is what I say.

You pop a cork.  “Red flag, baby.  Red flag.”

Invisible Weapon

You – the girl in his background. Texting away. Wow. I’m sorry - Who are you? He introduced you all bored and weird, said “this is Marissa” and then focused on popping the beer cap with his lighter. The cap skipped across the table and you were the only one who laughed like it was funny. Was it funny? You do realize that I hate you because I like him. You met him here after your psychology class. He told you “watch for a bit and when the blinds go up, you can buy in.”  You said “Cool.” Is it cool? I would suggest buying in now and learning now. But I want your money. That is just me. I am guessing he just wants your body. That was mean. You are sitting background in a butterfly chair – a silly, dorm room butterfly chair that he pulled up for you without realizing that you can barely see our table. The cards, the chips, the bluffing – it is all on the table and you can barely see it because you are sitting background in a butterfly chair. Your girlness is creeping up around my King Queen Suited and that, Marissa, is your invisible weapon. Get that girlness out of here.

Hard Conversations in Your 20s

Just about everything made Dawn laugh, and so it was hard to fight. The day he left, the sun came out. This was yesterday and he did not tell her he was leaving.

Dawn’s friend Anne says things like “It is what it is, you know?” and does not actually believe that it is what it is. Anne takes things seriously in a nice, little way. She is the kind of girl who will pay $17.50 for individually gift-wrapped soap. She really will. Dawn asked Anne if she should go after him. If she should go find him. Bring him back to the apartment where they painted walls together. She would try to have that last fight without cracking up. It was the least she could do.

“We’re good together, right?” Dawn asked Anne. She really meant: Teach me how to properly argue with my boyfriend.

Anne hesitated perfectly before saying “That’s not the question you had in mind, is it?”

Dawn laughed. She laughed for two reasons. One because she was nervous and, two, because she hated being friends with women. All conversations between women eventually turned into something they would want Oprah to be present for. It really annoyed Dawn.

“No, I guess not,” she smirked.

“No smirking,” Anne said. “It does not say what you want to say.”

“What do I want to say?”

“You are allowed to say I need to think about this for a moment, Dawn, if you need the time to collect your thoughts.” Collect your thoughts. Anne says this like the guy who writes refrigerator magnets for a living and is proud of it. All Dawn does is collect thoughts. Hers, theirs, his - it is hard to keep track of proper ownership. What are thoughts anyway? They never seem to be entirely your own. The world is in a taut spin of thoughts. It has not slowed down in centuries.

Dawn has two notebooks. One is called “Things I Cannot Say Out Loud, Even To My Self.” The pages are filled with vapid, spitfire half-truths. The other one is called “Things That Are Lies.” She resorts to the Internet for this notebook even though that is not what the notebook intended for. See, Dawn collects lies as well as thoughts.

The tip of her tongue is being bit this whole time to keep from smiling but Dawn releases it to say “I just fucking love him.” Resumes biting.

“Why is it funny, Dawn?” Anne shoots.

“It’s not!” Dawn snaps. Her frustration pools. They are standing in the kitchen looking at such ordinary household items. Toaster. Microwave. Paper towels. Potholders. Silent witnesses to such quiet melodrama.

“Okay, so it’s not funny! You’re angry! Why?”

“Because he left!”

“Why?”

“Because I am awful at explaining how I feel when I am feeling it!”

“Why?”

“I don’t know! Stop!”

Dawn cannot believe she is still believing hard in all things left unsaid as if everything unsaid was always the truth. She has written this down more than once in both notebooks. Why is it her anger that has to get harbored, brewing like an old recipe looking to escape its formula. She does not know how to answer the “Why?” questions. Her children will be unforgiving. It has already been set in stone.

He is coming up the stairs. She is nerve-wrecked and nauseous. Anne is still there, making it worse for her. Now he will see her having a girls-only therapy session. It is such a cliche. Having friends, having arguments, having potholders. It is all terrible.

Fact? she thinks. No. Lies.

Anne leaves.

“Help,” she begs of him. 

Him, Her, and What He Does to Her

1. Him
She thinks too much, he thinks. In the mornings she is up before him, always, standing and then stretching, up, up, a bounce down, stop. She’s green-eyed and impatient, obsessed with the order of nothing too important while time teasingly curls a finger at her to come forward. Move it, he thinks she hears and he knows she knows he’s not the one saying it.

He rolls over in the sheets, his cheeks creased from last night’s sleep. Hey, he says. She raises an eyebrow, smiles like she knows something good, and says Hey. It is obvious that one day she will trust that he knows how this all will work. For now though he will say nothing except Come here. She breathes in for a long second and then climbs back into the scoop of his spoon. The day’s prologue has come and gone a little too quickly for her liking. He thinks there is more to it.

2. Her
Home alone she feels like waffles - with each of her small squares begging to be filled. She opens the fridge more than once. She dips two fingers into a container of hummus, bumps the door closed with her butt, and gives herself a couple of options. Think about what you want to do or Do it. She sits down in a chair. It is a hard chair that she is hoping will give her a hard time. How is that person doing, she wonders.

3. What He Does To Her
After the rain stops, he takes her out for Italian ices. Inside the bakery there are two girls that are not even playing the part of Italian girl teenagers. They are just doing it. Only halfway decent at the jobs they have been given, one girl with powdered sugar on her too-tight jeans says to the other: I don’t even think he was playin’. It is all neither here nor there. He looks at his lemon ice and then gives it a quick lick off the side. She takes pleasure in watching him enjoy something simple. Hopefully he feels the exact same way. The sky looks like sherbert that has been violently stirred and as they walk down the street, saying nothing, just feeling, hopefully knowing, that nothing is better than any of this, the rain begins all over again. They do not lose their pace even though her body says run.

Going with Each Other

It is 1994 and he is quietly singing the lyrics to “Better Man” by Pearl Jam to me over the phone. My homework is more or less finished and I have said Night to my 40-year-old parents who are massaging feet in front of the eleven o’clock news upstairs. He is singing “Better Man” to me but I am not listening to the words. I am not sure what is going on. He is twelve. He needs permission to go places, signatures on math tests, new underpants. 

Waitin’, watchin’ the clock, it’s four o’clock, it’s got to stop

In French class, he writes me notes from across the room. Out of the corner of one eye only, I watch it move through sweaty hands. It is a little spitball of a note. A little sucker. I pretend to not know what is going on. What is going on? I am learning French here. I sit up straight. I am quenching my thirst for all things French but I am dying for this note to reach me. Please reach me. He is slouched in his chair made of wood and nails and his hands are folded atop his desk like he has done nothing wrong. Nothing wrong whatsoever. Folded like a good boy who will go to the store because his mother needs an onion for dinner. It is tricky because our French teacher likes to face us and not the board. Class is about speaking French, not passing notes. We will make it about passing notes though. This teacher is kind of old.

Tell him, take no more, she practices her speech

We are going with each other. That means we are open-mouth kissing. French kissing. We are doing it publicly in front a line of yellow school buses at three o’clock in the afternoon. Walk-men heads are hanging out bus windows and everybody is chewing gum. It is snapping like claps. Standing ovations because we are going with each other. I am unaware of what is going on. His mouth is huge, our eyes are open. It is disgusting. I want to go home and watch Saved by the Bell or something.

As he opens the door, she rolls over

The movie theater is cold. Two girls that I know sit between us like parents and I am not sure why they have been invited. We are there to see Little Women. I feel bad for him. I don’t think about my age. We are on a date, we think. Embarrassed, none of us move a muscle. It is only buttery popcorn that is missing mouths.

Pretends to sleep as he looks her over

High School acceptance letters are distributed in Homeroom. Envelopes tear open. Two seconds, not even, and he is crying. He is not the only one but he is crying. There is a girl wearing heavy gold hoops and a padded bra close by. She hugs him close, continuing her conversation with someone else. None of it seems appropriate. Official letters like these should be mailed to your house.